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The second outing for Robert Gutschow (synths/programming/sampling) and Jon Sonnenberg (synths/vocals/organic instruments) finds them still doing much what they did on their first album, dark, synth-pop pieces, but with perhaps a little more light and life to the tunes. Unlike a lot of synth bands, who eschew acoustic and organic instruments, House of Wires manages to use them to their advantage. The touch of banjo in "Song of Siberia" pushes that track one notch beyond. The accordion outro to "Dead or Happy" recontextualizes the whole tune. The catchy trumpet sample, combined with the live drums on "World of the Future" make the track. The list goes on. The clever use of the various instruments along with the core of the tunes, the programming and the synths, makes this a bouncy, danceable, album. And, like the Pet Shop Boys, and other bands of this style, the lyrics are intelligent, even clever. The track "Caroline" demonstrates this perhaps best. Caroline's in tranceThis demonstrates a pretty tricky rhythm scheme, and a pretty interesting set of images. This song's catchy melody is also quite strong. Really, in the final analysis, while the somewhat quiet vocals might not be everyone's style, there's plenty of decent pop music on this album that just about any pop fan, even those not into synth music, would appreciate. Alex Klages
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