![]() |
Your Gateway to Music and More from a Christian Perspective Slow down as you approach the gate, and have your change ready.... |
| Home
Subscribe About Us Features News |
Alternative sounds put to a country motif may sound like a strange combination, but The Jayhawks have turned it into an art form on their latest disc Smile. The new project, the band's first on Colombia Records, is the follow-up to 1997's successful Sound of Lies. During that time off, the group has focused on slowly crafting their songs to perfection while carefully writing their lyrics in storybook fashion for each tune. In fact, "I'm Gonna Make You Love Me" is a great example of simple yet thought-provoking lyrics, while the beat combines acoustic guitar with a light organ in the background. The song is anthemic and will prove to be a concert favorite in the months to come. Other songs fit into the
signature style of The Jayhawks, including the soft ballad "A Break in
the Clouds." The tune calls to mind similar artists who could have
recorded it, like 10,000 Maniacs or
A track like "Somewhere in Ohio" is a mid-paced acoustic groove which is an ideal traveling soundtrack song. Perhaps the most reflective track on the disc is "Better Days," in which the group recalls specific moments in their lives where life was better. The Jayhawks have certainly evolved into a fresher, more appealing five-piece band and their lyrics seem to convey hope and the desire for continual self-improvement. The closing track "Baby, Baby, Baby" is a spiritual-sounding jam that is destined to inspire and uplift the listener: There's a million flags flyingThe only challenge the group might face with the disc is that some of the slower songs might not translate into powerful live performances. Perhaps only the quicker ones will be included in the group's summer concert set lists. Andy Argyrakis 7/29/2000
This is supposed to be the
happier, poppier Jayhawks, taking their "now or never" stab at the big
time.
The title track's exhortation
sounds unconvincing and even the jangly first single, "I'm Gonna Make
I'm gonna make you love me
If you thought Sound of Lies, the album that followed Mark Olson's departure, was a letdown (though this reviewer didn't think so), you will likely be further depressed. If you liked Sound of Lies, Smile is less consistent and its peaks don't approach those of its predecessor (the joyful and self-deprecating "Big Star" and Tim O'Reagan's achingly beautiful vocal turn on "Bottomless Cup"). Sadly, this Smile
is a tense, tight-lipped one.
Dave Draeger 07/29/2000
|
|||||
|
|