Your Gateway to Music and More from a Christian Perspective
     Slow down as you approach the gate, and have your change ready....
SubscribeAbout UsFeaturesNewsReviewsMoviesConcert ReviewsTop 10ResourcesContact Us
   
Subscribe
About Us
Features
News

Album Reviews
Movies
Concert Reviews
Movie Resources
Concert Reviews
Book Reviews

Top 10
Resources
Contact Us


Lords of Dogtown

Stacy Peralta (writer) and Catherine Hardwicke (director) bring the roots of skateboarding to the big screen with the movie-mentary Lords of Dogtown. Based on true accounts of the Z-Boys, of which Peralta was a key member, LODT carves a tale of three individuals who transformed the world of skateboarding.
 
This film is much more than a history lesson or an attempt to glamorize an often-overlooked sport and does not hide the ugliness of jealous motivation. Lords is an emotional visualization of teenage insurgence. Peralta, Tony Alva and Jay Adams combined their surfing skills and street aggression to bring a craze to a sport that had never seen anything so forceful. Hardwicke captures this powerfully and succeeds at showing the destructiveness that can occur if talent is not harnessed with responsibility and guidance. 
 
If there is any fault to be found in this flick, it is the lack of episode development. The audience is given a lot of information about events without ever being given the chance to experience it deeply. We see a small glimpse in life at a given time in Venice California and then it is over.
 
LODT is rated PG-13 for drug and alcohol content, sexuality, violence, language and reckless behavior- all involving teens. Hardwicke delivers the same dark teen world as her earlier film, Thirteen, although it can be argued that the effects of the skateboard culture birthed before the viewer's eyes are more far-reaching.

The Mungle
 

 
Matt Mungle hosts the weekly syndicated Indie Rock Radio Show Spin 180. For additional reviews and interview clips visit our website at
www.spin180.net
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

 

  Copyright © 1996 - 2005 The Phantom Tollbooth