Since 1996

    Your Gateway to Music and More from a Christian Perspective
     Slow down as you approach the gate, and have your change ready....
 
Home
Subscribe
About Us
Features
News

Album Reviews
Movie Reviews
Concert Reviews

Top 10
Resources
Time Wasters
Contact Us

 


From Beale Street to Oblivion 
Artist: Clutch 
Label: Issachar Entertainment 
Length: 12 tracks / 48:20 min 

Listen to “Electric Worry” here: http://www.lambgoat.com/audio/clutch/ 

How many-cools of Addom? 
Party cools of stone? 
Hart of the wood shatter. 
Eusa roam.
Yes, these are lyrics from the best song of 2007 so far. Looks like gibberish, but if you look a bit further, you can see they come from a 1980 science fiction novel called “Riddley Walker.” And the song is “The Rapture of Riddley Walker” off of From Beale Street to Oblivion by Clutch, a band who has released several albums, but amazingly this is the first one I’ve heard. Now run, don’t walk, to your nearest record store and buy this album, then come back and read the rest of the review. 

pause 

From Beale Street to Oblivion is a solid 48 minutes of intense blues-rock with thick Tom Morello-style (Rage Against the Machine, Audioslave) riffs, gravelly, high-testosterone vocals, and gospel drums and organ crescendos. 

The band itself looks intimidating, which only adds to the ambiance. Vocalist Neil Fallon, with his thick beard, comes across like a slimmed-down Hacksaw Jim Duggan high on PCP. You don’t want to get in a bar fight with these guys. And that’s probably where you would find them. As they sing on “Power Player”: 

I’m not giving you attitude. 
I just want another drink.
The album’s first single is “Electric Worry,” which begins with slow, depressing “lonely frog” music and vocals before building into a hard-rockin’ ZZ Top-style riff and the energetic yet simple chorus: “Bang! Bang! Bang! Bang! Vaminos! Vaminos!” 

The lyrical themes of the album are typical blues, but with brilliantly enigmatic execution. Spiritual references are prevalent, but it’s never quite clear what they are saying. 

A full six songs, including “You Can’t Stop Progress,” “Power Player,” and “The Rapture of Riddley Walker” qualify as hits. The best typically follow the formula of blues verses with repetitive bridges, monster-riff choruses, and the vocals alternating between gospel preaching (for lack of a better description) and a Stevie Ray Vaughan impersonator. 

Dan Singleton 
July 19, 2007 


 
 
 
 
 
 
 

 

 
 Copyright © 1996 - 2007 The Phantom Tollbooth