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Tell Someone
Artist: Kenny & Amanda Smith Band 
Label: Rebel Records
Length: 13 tracks/39:45

Kenny Smith is a former member of the Lonesome River Band and a two-time winner of the International Bluegrass Music Association's Guitarist of the Year award. In 2001, he formed a bluegrass band with his wife, Amanda. The group was recognized by the IBMA in 2003 when they received the award for Emerging Artist of the Year. Both musicians have deep roots in the church and have worked for the last ten years to turn their dream of recording a gospel  album into a reality. Just as the project was scheduled to begin, Kenny received word that his father had been killed in a tractor accident. The couple turned to prayer, finally deciding to continue on as planned, letting God begin to heal their loss and give them a chance to help others through their ministry of music.

Bluegrass superstar Rhonda Vincent lends vocal support on the opening track.  Collectively they raise the roof on Shoutin' Time, her voice joining Amanda and Kenny's in the first of many gorgeous harmony singing passages found throughout this recording.  On the following track, Amanda quickly demonstrates that  her vocals are first-rate as she soars with ease into the upper end of the scale. On tracks like "Stepping on the Clouds" and "One More Chance, Lord", her voice intertwines with Kenny's harmony singing to the point that there seems to be only one voice. The other band members - Jason Robertson on mandolin, Jason Davis on banjo and Zak McLamb on bass - provide expert accompaniment and shine when they get the opportunity to solo. Daniel Carwile contributes outstanding fiddle playing to a number of cuts.

Kenny expresses his grief over losing his father on "Angels Calling at My Door." He lays down an emotional lead vocal  on this song that deals with impending loss. Wayne Winkle provides a sympathetic backing vocal.  He also takes the lead vocal on the closing track, "Tell Someone How Precious He Is". This song is a fitting ending for the project as it's message resonates on several levels. 

The ten  years of planning this recording were well spent. The set list is a treasure-trove of southern gospel  tunes. The musical accompaniment is classic Bluegrass but with minimal space for solos. The focus is on the message contained in the lyrics, delivered by the heavenly vocals and harmony  singing of Kenny and  Amanda Smith. They have produced a powerful testament to their faith in the spirit of God in their lives. It is a message that is  well-worth hearing.

Mark Thompson  12/29/2006



Officially, the Kenny & Amanda Smith Band have dubbed themselves as performing bluegrass band but to me they sound like a good mixture bluegrass and the way country music was sung in the fifties and early sixties. For those less familiar with bluegrass the roots of the genre are intertwined with the roots of modern day country music. The band’s recent CD Tell Someone features some outstanding vocal performances, even better musicians and good ole gospel lyrics. 
 
You may be old enough to remember the Carter Family or the duo of Lester Flatt and Earl Scruggs. Perhaps you remember the early part of the movie Walk the Line or have browsed through the vinyl archives. If you are familiar with that period in the history of music then the Kenny & Amanda Smith Band will welcome back and flood of good memories. 
 
“I’ve Got More To Go To Heaven For,” features splendid banjo picking by Jason Davis. The song moves quickly and from the very beginning Davis sets the tempo. A warm underlying bassline is established by bassist Zachary McLamb. The two Smiths and Wayne Winkle (low-tenor) combine for an unblemished three-part harmony.  
 
Bluegrass music has always been the story of the people and the land and the music on Tell Someone is no different. The lyrics paint word pictures of real life situations perhaps none as poignant as Craig Market’s words to “Mary Had a Little Boy.”  The ballad chronicles the life of a boy whose mother would not take him to Sunday School while all the other children attended. At the beginning of the song the boy’s soul is described as “white as snow,” but as the song progresses Mary (the mother) notices his soul was turning dingy gray. When the boy’s soul finally turns “an ugly black,” Mary goes to Sunday School and “stays for the preaching too,” but to no avail. The preacher reminds her of the warning he issued many years earlier.
 
The song “Mary Had a Little Boy” issues a warning to all parents.  The song however should also encourage those parents who have sown the seeds of the gospel and whose children have strayed for a season. There is hope that the message will be recalled. 
 
I am a big Alan Jackson fan and I by no means wish to compare Kenny Smith’s vocals to the country music great I do think however if you enjoy Jackson’s music you will enjoy “Angels Calling At My Door”. Daniel Carwile’s melancholic fiddle applies somber brushstrokes to this canvass. 
 
Steve Mowery’s “One More Chance” has the same southern gospel beat and flair that made the Statler Brothers a fan favorite for so many years. During our decade, the Parker Trio signaled a renaissance in southern gospel music until the premature death of Warren Parker last January 7th. 
 
Bluegrass and Southern Gospel music have long been considered regional or niche music markets. Established artists such Alison Krause, the Del McCoury Band and Alabama have introduced new fans to the music. Bluegrass and Southern Gospel music often feature great harmonies, excellent musicians and tremendous vocals. 
 
Tell Someone is true to the title, as the words of many of the songs on this album leave no doubt that there is only one way to heaven and it is through Jesus Christ.
 
By Joe Montague, exclusive rights reserved

Joe Montague is an internationally published journalist / photographer. His ministry is dedicated to the memory of his late son Kent David Montague who went to heaven at the age of 18. All copyright and distribution rights remain the property of Joe Montague. 
 
 
 
 
 
 
 
 

 

 
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