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Indiana Jones and the Kingdom of the Crystal
Skull
Stars: Harrison Ford, Cate Blanchett,
Karen Allen, Shia LaBeouf, Ray Winstone, John Hurt and Jim Broadbent
Director: Steven Spielberg
Scriptwriter: David Koepp based on a story
by George Lucas and Jeff Nathanson
Composer: John Williams
Cinematography: Janusz Kaminski
Paramount Pictures
Rating: PG 13
Running Length: 120 minutes
Website: www.IndianaJones.com
Buckle your seat belts, fans, here comes
the fourth film in the “Indiana Jones” series. The movie is set about 1957
and seat belts weren’t in cars then. The way people jump from moving vehicle
to moving vehicle in this film, they wouldn’t have time to buckle and unbuckle.
In fact, they don’t have time to drive, either.
Harrison Ford is back, fedora, whip and
all, and he looks great. At the screening I was at, several guys wore fedoras,
but, hey, as nice an homage as it was, you still don’t look like Ford.
Steven Spielberg is the director with his special attention to detail,
so much so, that even though the central characters are in the middle of
the screen, there is kind of a 3-D effect with things going on around the
edges of the screen. John Williams does the music and who else would have
tackled this, I wonder? A moment is paid to Sean Connery as Indiana’s father
and then it is off to save the world from nefarious villains. More than
one secret is revealed in this film and that’s all I’m saying.
Indiana Jones is still teaching at a college
and somewhat on the edge as to whether the school still wants him. Trouble
follows Jones wherever he goes, especially when he meets Mutt (Shia LaBeouf
from “Disturbia”), a motorcycle-riding-leather jacket-ducktail kid who
has brains but dropped out of school. Seeing Jones on the back of that
cycle and Ford’s facial expressions are worth the price of admission. It
seems as though Mutt is a friend of a Professor Oxley (John Hurt) and the
professor is missing, but left tantalizing clues about returning something
crystal. OK, this isn’t wedding crystal, but an unusual skull that Jones
recognizes as unique. Off they go, pursued by Irina Spalko (Cate Blanchett
with dreadful bobbed black hair and an accent from somewhere south of St.
Petersburg.) Since this is 1957, the villains are now Russian with appropriate
uniforms, a tendency to stumble and fire weapons erratically. Jones on
the other hand has a whip and quick mind for escapes. The chase goes from
the United States to Peru. Jones does have another sidekick besides Mutt,
and that is Mac (Ray Winstone from “ Beowulf“) who has escaped from several
adventures with Jones. Fans will remember a warehouse (reference to a past
film), plus a scene with a snake (also a reference to a past film.)
Unexpectedly, not only do the trio meet
up with Professor Oxley, but Marion Ravenwood (not the same Ravenwood as
in television’s “Jericho”), Indiana’s former girlfriend. It’s back in action
with Marion at the wheel of any vehicle she can get and the rest of the
group fighting from within, without and on-top-of such vehicle. You get
the picture and the stunts are spectacular, especially a jeep race through
the jungle.
Suspend belief and don’t expect the story
to make that much sense. It’s just good to get another “Indiana Jones”
picture out of Harrison Ford and company, with Spielberg at the wheel and
John Williams directing the music. Where were you when the first “Indiana
Jones” film (“Raiders of the Lost Ark”) came out? I was a beginning film
reviewer and that film was one of my first assignments.
Harrison Ford still has a crooked smile
and Fedora hat. The camera wisely zeroes in on his face at times and this
says more than pages of dialogue. The much younger Shai LaBeouf does well
as the youngster in this group and his prop is a comb. Karen Allen still
gives the word “feisty” new meaning. John Hurt is lost in the physical
make-up of Professor Oxley, but you recognize the voice. All in all, I
was pleasantly surprised at the film, done after all these years. Sometimes,
perhaps, you can go home again.
Copyright 2008 Marie Asner
Submitted: 5/19/08 for 5/22/08
Indiana Jones; the 80’s icon with the cool
hat and blazing whip. I always cringe when studios try and recreate a phenomenon.
Sometimes well enough alone is better left. Harrison Ford is going to be
66 here in a few months so do we really want to see him mixing it up with
bad guys as he tries to save treasure and uncover buried secrets? Or worse
yet, have some silly cameo where he pops in from time to time and the only
resemblance to an Indiana Jones film is in the title. Well, don’t let the
gray hair fool you. Ford is just as much Indiana Jones now as he was 20
years ago. He might be a little slower and a bit wiser but he knows how
to deliver the goods. Too bad Lucas and Spielberg weren’t as up for the
challenge.
This 4th installment jumps right into
the action and you find yourself in the 1950’s where everyone has an eye
out for communists and the latest Elvis record. We find Indiana Jones (Harrison
Ford) caught up with Russians, spies and a mystery surrounding ancient
crystal skulls. When he is confronted by a young greaser (Shia LaBeouf)
on a bike with a sob story about an old friend of Indies named Oxley (John
Hurt), Jones has no choice but to stick it out. He has to solve riddles
of old and decipher long forgotten text in order to save his friend and
stay one step ahead of the Russians, but he is Indiana Jones so we would
expect no less than action and peril around every corner. All with that
no nonsense Indiana Jones style and wit.
This movie was a blast from the opening
scene. The adventure and action that made the 80’s films remarkable where
all brought back in over the top, unbelievable, could never happen, fashion.
Whether Jones is jumping from speeding jeeps or running along roof tops
while managing to elude 100’s of Russian artillery fire, he has a way of
making it seem effortless. Even at his age. The supporting cast is perfect
but that is no surprise. Cate Blanchett plays Irina Spalko, a Russian super
chick who has her eye on the skull for evil, world dominating reasons.
Cate’s character brings a classic 50’s henchman look and feel to the film.
She is a humanized Natasha who has no need for a Boris to get the job done.
She plays this role with the same passion she put into the queen of England.
Add the always solid acting of LaBeouf as the young rebel trying to help
save a friend and you have a cast that can make a picture happen.
But just as everything was firing on all
cylinders and you think that Lucas and old Spielberg have done up the perfect
film, tragedy strikes. I will not give any details about this calamity.
I do not want to spoil the final portions for you. Some of you may like
it. And if so then you deserve the right to see it as it is. For those
like me who will walk out going, “what the crap was that”, you still need
the right to see and respond on your own. That is the beauty of movie magic.
I blame Spielberg for this error although Lucas was probably on the same
wave length. I have no idea what they were thinking but in my opinion it
kept a fantastic film from being a colossal masterpiece of adventure.
Indiana Jones and the Kingdom of the
Crystal Skull is rated PG-13 for adventure violence and scary images.
This is a perfect film for anyone 12 and up. It is filled with fun archeological
mazes and tombs, hidden walls and pathways. All reminiscent of the Lost
Ark days. There is quite a bit of gun play though I am trying to remember
if anyone ever actually gets hit. The scary images are brief and not enough
to keep your kid away from such an adventure as this. Though not as friendly
as the National Treasure series, it is still tame enough for most. I wanted
to give this film huge rating but I just can’t overlook the one failing
element. No matter how hard I try. I give Indiana Jones 3.5 out of 5 “I
like Ike” buttons. Go enjoy it and have some fun!
Matt Mungle (5/19/08)
Matt is a member of the North Texas Film
Critics Association (NTFCA) and co-hosts a weekly radio feature, The Mungles
on Movies, with his wife Cindy. For additional reviews, interview clips
and great DVD giveaways, visit the website www.mungleshow.com
Review copyright 2008 Mungleshow Productions.
Used by Permission.
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