The Phantom Tollbooth

Candyland
Artist: Rackets and Drapes
Label: Fifty 280 Records
Time: 13 tracks/4547

CDs that have cool cover art rarely suck.  So when I opened up my Rackets and Drapes CD and saw the tall, thin garishly-dressed green man with an evil smile beckoning me into a candy house, I knew I had a winner.

Rackets and Drapes is the newest sensation, being called the "Christian Marilyn Manson." Rackets and Drapes, while having a lot of the elements that Marilyn Manson has, is not a clone. While having many  similarities, such as the outragous dress code and spooky atmosphere, Rackets & Drapes has a more industrial sound and a heavier reliance on samples in introducing their songs.  Rackets & Drapes' sound can best be  called a mixture of goth/shock/metal-industrial rock.  After the beginning samples or electronic noises, the songs basically consist of the singer switching between a goth-like whisper and a metal scream.  The guitars are very clean and technical, a lot like you would find on most modern industrial albums.

Lyrically, Rackets & Drapes is a very issue and topic-driven band, with song topics ranging from abortion to the danger of children talking to strangers tochild abuse to hypocrites in the church. I really liked the lyrics to the album's opening track, "BaBy KiLLeR"

Some of my favorites include "BrIdE iN bLaCk," which has a nice and slow eerie beat, "BaLL aNd ChAiN" for its Marilyn Manson-type riff, and my  favorite song, "BuRning yOuR wItChEs," which had me chanting "burn your witches burn them all, ding dong the witch is dead!" before the song was  even over!

Rackets & Drapes has something good going here, with solid lyrics and songs, catchy beats, and some killer artwork.  With some more time and better production, Rackets and Drapes could go from a good band to a great  one.

By Joe Rockstroh