
Kansas
Afraid to lift my hands, afraid He doesn't care And if He answers and I fall again Can I still be His daughter can I still depend on Him? When I'm down I search every mistake
Most people have never heard of Jennifer Knapp even though this is her third release -- a 1994 Indie tape, and a full length Indie CD in March of 1996, titled Wishing Well. That should change with this album. Jennifer is from Kansas, if you hadn't guessed from the title, and
is another in the old singer-songwriter tradition that includes names like
Arlo Guthrie, Janis Joplin, and, more recently, Melissa Etheridge.
The style is making such a big comeback, and Jennifer should fit in well.
The
How do you describe Jennifer's music? Well, it is light folk rock with a hint of Ireland. Harps, flutes, cellos, and violins make scattered appearances on various songs to help Jennifer's warm lilting vocals give it that Celtic flavor. The overall effect is a cross between Melissa Etheridge, The Indigo Girls, and The Cranberries, with just a dash of The Crossing thrown in for good measure. If you like any or all of these, you'll love Jennifer Knapp's Kansas. Her variety of styles can all be seen in the first three songs: "Prelude
(Faithful To Me)" with an acappella sound very like that of The Crossing
(the song is also reprised at the end); "Whole Again," which is very reminiscent
of The Cranberries; and "Undo Me," which could have come right
The lyrics are all straightforward and easy to understand. They are gentle and loving in their ministry, but still strong enough to convict. A prime example of this is "Undo Me." I always get a chill listening to this song:
More times than Peter I have denied Three nails and a cross to prove I owe my life eternally to You Time to get down on my knees and pray
I give this album 3 1/2 tocks. I could have gone as high as 4 tocks, but the music won't appeal to everyone: there's a little too much mainstream CCM in it for a lot of peoples' taste. Check out www.jesusfreak.com/knapp/ for news, concert info, lyrics, and audio clips. by Mark Aylor
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