Lamentations 
Artist: Lies Damned Lies 
Label: Sticky Music (Alliance UK) 
  
"The American writer Walter Brueggemann has said that when the voice of hurt is silenced the human psyche becomes numb. The book of Lamentations is the sound of a lyrical voice looking over a broken landscape, the final admission that the Promised Land is in ruins; a voice of unbearable grief over the loss of home. 

"The lament is the song without which our claims to happiness turn to lies - the song we sing until we know how to build again."  - Doug Gay (a friend of the band), in the album sleeve. 

The book of Lamentations is a difficult book to understand.  Reading it reveals a writer with views of God very different from those usually proclaimed in Sunday Schools and by some Christians. People have attempted many ways to get to grips with how this book should affect us, and with that it teaches us, and this is one side of what Lies Damned Lies attempts to do with this work.  The band is comprised of Dot Reid, Charlie Irvine, and Steve Butler (who are involved with the Greenbelt festival and the Late Late Service, as well as running Sticky Music), all three musicians who are certainly experienced and respected enough to tackle such subject matter. 
  
Musically, this is an immensely powerful work which has won wide critical acclaim.  It opens with a four minute instrumental build-up, mixing experimental and spacious guitar sounds with organs and various electronic noises; these moody sounds allow the subject matter to show through very quickly.  When the vocals come they are male, suggesting Sting and various blues singers as influences. Overall, the sound would probably be described as moody, spacious, bluesy rock music - the press release mentions The Blue Nile as an influence.  I have found it difficult to find many bands who are that close to Lies Damned Lies musically. 
  
Lyrically, the album is obviously influenced by the book of Lamentations, but the musicians's personal feelings and more modern influences are included as well.  This approach provides an interesting perspective on Lamentations, as we see the laments that this group of modern artists wishes to suggest.  Three of the tracks, "Is It Nothing?,"  "Lamentations II," and "Lamentations I," all have very few lyrics, but those present show the influence of the bible writers most clearly:  

Jerusalem, daughters of Jerusalem 
What can I say to you? 
How can I comfort you?' (from "Lamentations I")

On the day that I feared 
An angel appeared 
In the field where the beast never came 

And the angel had words 
That I'd never heard 
Words that like arrows take aim

"In The Air" centres on the lead guitar, and is a good example of the multiple layers of instruments which appear throughout the album, with harmonies and more guitars appearing beneath the surface of the music and adding to the overall feel.  The music is all relaxed, but coupled with these lyrics is something to sit back and meditate on more than an aid to relaxation.  Further tracks vary things - delay is utilized more in some places than others, and "Happiest You've Been" picks up the tempo slightly (but only slightly).  

My favourite track has to be "Is It Nothing," for the electronic effects applied to the guitars and the strong arrangement which allowed it to succeed despite being mainly instrumental. 
  
This album was surprising and refreshing. I've heard very few albums which convey this much emotion, while being of interest to me as a student of the bible. It may be laidback, but it is enthralling and captivating none the less. 
  
By James Stewart